‘After a lifetime, two mutual friends, George Kuchar and Carla Liss, passed away during the same period of time.’ (Nathaniel Dorsky)

‘After a lifetime, two mutual friends, George Kuchar and Carla Liss, passed away during the same period of time.’ (Nathaniel Dorsky)

Matthew and his sisters have spent their entire lives on a secluded farm, far removed from the outside world. Following the passing of their father, they uncover a long-held family secret that thrusts them into a terrifying new reality.

David Walliams has co-created a brand new retelling of a classic fairytale, starring as the Giant in Jack and the Beanstalk: Ever After. In Walliams’ version, the Giant didn’t die after falling off the beanstalk, but escaped with a concussion and no way back to his home. Stuck in a human village, he’s forced to seek help from the unlikeliest of sources – all the while attempting to outsmart the villagers.

At an elite plastic surgery clinic, a star surgeon’s reunion with his former classmate after a scandalous operation ignites a clash between ethics and ambition, revealing the dark complexities behind society’s obsession with beauty.

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Explore America’s enduring relationship with firearms: From the first European settlements in the New World to frontier justice; from 19th Century immigrant riots to gangland violence in the Roaring Twenties; from the Civil War to Civil Rights, guns have been at center of our national narrative for four hundred years.

"Culture Clash in AmeriCCa Live!" is an anthology of hilarious and thought-provoking skits and monologues portraying diverse American immigrants, whose personal stories are captivating, highly entertaining, and particularly poignant. Inspiration for this fascinating cultural quilt came from thousands of interviews conducted nationwide during a period of 20 years, by Culture Clash.

Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.