‘After a lifetime, two mutual friends, George Kuchar and Carla Liss, passed away during the same period of time.’ (Nathaniel Dorsky)

‘After a lifetime, two mutual friends, George Kuchar and Carla Liss, passed away during the same period of time.’ (Nathaniel Dorsky)

Matthew and his sisters have spent their entire lives on a secluded farm, far removed from the outside world. Following the passing of their father, they uncover a long-held family secret that thrusts them into a terrifying new reality.

At an elite plastic surgery clinic, a star surgeon’s reunion with his former classmate after a scandalous operation ignites a clash between ethics and ambition, revealing the dark complexities behind society’s obsession with beauty.

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Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.

Han Geon Soo is the young clinic owner who tries to protect his clinic from being taken over by loan sharks. He tries his best to save the clinic when uncollected loans are passed on to him after his father’s sudden death. Choi Yong Woo is a talented doctor who joins the clinic to return his thanks to Geon Soo’s father. Yong Woo is someone that often gets into arguments with patients who want to undergo unnecessary plastic surgery. Yoon Ki Nam is the nurse who forms a love triangle between the two men. Yoon Seo Jin is the manager who obtained her perfect beauty through plastic surgery.

菲尔莫洛伊极端动画选集 Phil Mulloy - Extreme Animation

When two bus crash survivors awake to discover that they are the only people left in their small town, they must form an unlikely alliance in a race to unravel the truth behind their isolation. As strange events begin to unfold, they start to question whether the town they know so well is really what it seems.

A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, "After" is about the Valentinos, a middle class clan facing financial hardship--their family stone cutting business is slowly failing--and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.